Saturday 12th February 2011
SCREENING OF HARUN FAROCKI’S
The Interview / Die Bewerbung
(1997, 58min, subtitles: English)
Harun Farocki’s The Interview fixes a wry, critical gaze on interview training courses for the unemployed. The objective is to teach them how to put ‘the soul at work’ (Berardi). Farocki’s typically lucid film gains a crucial insight into the involuted processes through which potential employees make themselves ‘labour-ready’, examining how interview training scenarios teach people how to ‘correctly’ think and feel, and how the subject is disciplined for the realm of work.
“In the summer of 1996, we filmed application training courses in which one learns how to apply for a job. School drop-outs, university graduates, people who have been retained, the long-term unemployed, recovered drug addicts, and mid-level managers – all of them are supposed to learn how to market and sell themselves, a skill to which the term ‘self management’ is applied. The self is perhaps nothing more than a metaphysical hook from which to hand a social identity. It was Kafka who likened being accepted to a job to entering the Kingdom of Heaven; the paths leading to both are completely uncertain. Today one speaks of getting a job with the greatest obsequiousness, but without any grand expectations.” Harun Farocki http://www.farocki-film.de/
GROUP DISCUSSION WITH STRICKLAND DISTRIBUTION
The Strickland Distribution will screen Farocki’s The Interview and facilitate a discussion of the film afterwards in relation to labour and welfare. The search for a new social subject in the neo-liberal age has led to a series of new terms to designate labour: ‘affective’, ‘immaterial’, ‘precarious’, ‘cognitive’, ‘non-productive’, ‘creative’, ‘playbour’, ‘the knowledge economy’. In the context of a low-wage economy and the most severe welfare cuts since the post-war consensus, The Strickland Distribution want to open up these categories to critical discussion through a close reading of The Interview.
The Strickland Distribution is an artist-run group supporting the development of innovative and independent research in art-related and non-institutional practices. Art-related includes research forms that directly implement artistic practice as a means of research method. Non-institutional includes forms of grass-roots histories, social enquiries and projects developed outside of academic frameworks and by groups and individuals normally excluded from such environments. The research will be developed through commissioning of new projects, dissemination in publications, exhibitions and events, networking to build links between groups and practitioners internationally, and evaluation through public discussion and peer review. The Strickland Distribution will operate in the public sphere and seek to stimulate and contribute to public education, discourse and debate around the topics and themes addressed through its projects.
free but ticketed, available from CCA Box Office : 0141 352 4900
Comparison via a Third / Harun Farocki
Wednesday 16 February – Thursday 3 March 2011
11:00am – 6:00pm: FREE
Venue: CCA 1 / CCA 2 / CCA 3
Centre for Contemporary Arts (CCA)
350 Sauchiehall Street
Glasgow G2 3JD
Eliminating Labour: Aesthetic Economy in Harun Farocki – Benedict Seymour, MetaMute
‘The Flexible Personality’, Brian Holmes, 2002.
The Precarious Reader, Mute magazine, Vol 2, 2005.
Proposal for an inquiry in Call Centers – Kolinko
hotlines – call centre | inquiry | communism
Beyond Aspiration: Young People and decent work in the de-industrialised city
Discussion paper, June 2009, Andrew Cumbers, Gesa Helms and Marilyn Keenan
To Banker, from Bankies
Incapacity Benefit: Myth and Realities
Chik Collins, with Janice Dickson & Mary Collins (Clydebank Independent Resource Centre)