The Workers City group, Glasgow 1990: In What Sense, if any, an image of the future?

EmptyPockets
Discussion and film screenings with Leigh French & Neil Gray of the Strickland Distribution
https://www.facebook.com/events/1676205132635859/Friday the 29th of January, 18.30
Autonomous Centre of Edinburgh
17 W Montgomery Place EH7 5HA
“The Workers City group point towards the future. It is of groups like ours the future will be made.” (Farquhar McLay, The Reckoning, 1990)

During the Glasgow-held year of European City of Culture 1990, the Workers City group provided the first and arguably most striking antagonistic collective response to the now ubiquitous ‘Culture Year’ city phenomenon. Notably, Glasgow was the first old industrial city to host the event and the first to explicitly tie it to urban regeneration policy. For their efforts, the group (comprised of long-term political activists, writers, younger artists and other figures from the cultural, political and literary scenes in Glasgow) were detested by the Left as much as the Right, as various members have affirmed.

Starting out from Farquhar McLay’s assertion above (as editor of the Workers City volumes) this point of provocation will provide an opening for French/Gray’s presentation, followed by two short film screenings and discussion. In looking at the Workers City group’s praxis, achievements and possible limitations, this event intends to re-examine the relevance of the group’s position towards the ‘Culture Year’ in light of the subsequent transfer of ‘cultural regeneration’ and ‘creative class’ policy scripts globally.

French/Gray’s reflexive reading will draw on their own engagements through Variant magazine with Glasgow’s cultural, social and economic conditions, in combination with their recent research (alongside Anna McLauchlan) through Strickland Distribution’s online archiving of the Workers City volumes – Workers City: The Real Glasgow Stands Up (1988) and The Reckoning: Beyond the Culture City Rip Off (1990) – as well as the group’s scabrous newssheet The Glasgow Keelie, all now publicly available at: http://www.workerscity.org/

French/Gray will suggest that the name Workers City itself is somewhat paradoxical given the group’s interest in political activity outside the formal workplace, and their recognition of the political implications of mass unemployment and precarity: a reckoning well in advance of the traditional Left in Glasgow. This position will be explored by examining the composition of the group, their actual positions and practices, their critique of the Left in Glasgow, and their incipient politics of space and social reproduction, alongside other interwoven concerns such as:

• The re-activation of history and histories from below
• Working class articulation
• Problems of nostalgia and claims to authenticity
• Workerism and anti-workerism
• Class re-composition
• Glasgow’s proto-typical neoliberal urban policy model and the material basis of its alleged art ‘miracle’
• Questions relating to the independence referendum and the kinds of institutional aggregation that are emerging with the foregrounding of national sentiment

FILM SCREENINGS
The two films to be screened investigate Glasgow’s post-war urban re-development from the perspective of residents in the notorious peripheral housing schemes of Easterhouse and Drumchapel. These films provide a concrete context for the Workers City critique of the Culture Year, producing and documenting articulate forms of working class antagonism to abstract master-planning, paternalistic state mediation, alienation and poverty:

Whose Town is it Anyway? Easterhouse: People and Power, T Freeth, 1984, 30 mins. Shows a working class community after 25 years on the receiving end of Labour Party urban policy. The film includes interviews with local activists, a meeting in a pub, workers with ‘The Voice’ community newspaper, and a discussion with unemployed young people. It lucidly conveys their articulate sense of anger and their attempts to self-organise following the failure of the authorities to deal with the housing and social needs of their area.

Drumchapel: The Frustration Game, De-Classed Elements, 1989, 22 mins. An absolutely devastating portrayal of Labour Party duplicity and chronic housing and social conditions. It provides a withering critique of mediating pseudo-‘community’ initiatives which have since become the norm, often defended by the Left. It resonates profoundly in the current ‘Big Society’ era. Possibly the angriest film ever made on a housing scheme in the UK.

http://strickdistro.org/
http://www.workerscity.org/
http://autonomous.org.uk/
http://srl.autonomous.org.uk/?p=71

Find ACE:  http://autonomous.org.uk/find-ace/

learning/ practice Part 3 : personal (date change! now: Wed 10 October 2012)

learning/ practice Part 3 : personal

Note: date change to Wed 10 October 2012, 5-7 pm (location tbc, prob near Hillhead Subway)

Where do we practice? How do we act? Why do we do it these ways?

This series of four learning/practice discussions seeks to explore how we learn and educate, how we engage collaboratively in group work and how we conduct individual research. They explore how to locate the presence of ‘integrity’ within and across practices between the self and Others. Setting out with questions over what we do; how it is that we do it; and why we do it this way, these sessions are, unlike most previous learning/practice sessions, not premised on any one prior reading. Instead, we want to invite preparation and participation from personal knowledge and reflections of practice – be it educational, artistic, political or self-directed (or any combinations of these).
This dialogical encounter seeks not to build consensus over ’legitimate’ ways to act, but rather, to consider some of the ways in which legitimate practice is itself positioned as synonymous with integrity, allowing us to reflect more fully on the potential of practice and develop it.

Four themed but interconnected sessions are planned; each drawing on a variety of form for discussion and reflection on practice and its concerns with integrity. Part 3 is the next one:

Personal
Date: Wednesday 10 October,  2012
Time: 5:00-7.00pm
Venue: tbc (probably near Hillhead Subway, Glasgow West End)

For a list of all discussions, see earlier post here

The learning/practice group has been meeting, mostly frequently, for the past two years to discuss texts, practice and politics of our interest around education, self-organisation and emancipation.

For further info or questions, contact@strickdistro.org

Radical Media Forum, Saturday 14th January 2012

Radical Media Forum
2pm-5pm Saturday 14th January 2012

Kinning Park Complex
43 Cornwall Street
Glasgow
G41 1BA

directions: http://www.kinningparkcomplex.org/directions

FREE – donations to Kinning Park welcome

The Radical Media Forum is a regular meeting for left-aligned politically-engaged media practitioners, activists and researchers. Participants include those working with: film/video and television, online media and Indymedia, radio, books and print publication, community and media events, archives, and media research. It is open to individuals and groups working at any level across voluntary activist and community-based media to those working within mainstream and academic contexts.

The forum provides a space for networking, news exchange, skills sharing, discussion, debate, and building a more consolidated base for critical media in Scotland and the UK. Meetings take place every two months at various venues.

Each forum provides time for meeting and exchanging news, issues, ideas, etc., followed by a dedicated skills and discussion session.

For the January 2012 meeting, film and documentary maker Barbara Orton will facilitate a practical workshop to discuss issues and practices around engaging audiences through mainstream formats and alternatives to these. The debate around mainstream access is an important one in political film-making, whether to work with it, challenge, or reject it, and it is useful to understand how such positions may determine the ways in which work is realised. Participants are invited to bring along film and video projects they are currently working on to review and discuss as part of the session.

Mailing list: http://groups.strickdistro.org/groups/mediaforum